Audience Participation
Audience Participation at The Rocky Horror Picture Show had its roots at The Rocky Horror Show, which was considered an interactive experience going back to the original run at The Theater Upstairs in London. Audience members returned for multiple performances, and began singing along to the soundtrack within days of the show's opening. Angie Bowie (then-wife of rock star David Bowie) has been quoted as saying she may have been the first to talk-back at the live performance when she screamed "don't do it" to Riff Raff, before he blasted Frank to oblivion at the play's conclusion. The same phenomenon was observed when the show moved to The Roxy Theatre in Los Angeles, where the show quickly developed a devoted following with many audience members coming for repeat viewings and sing-alongs over the 9-month run. Additionally, the first official Rocky Horror themed costume contest was held on Halloween 1974 at the Roxy, which may have been the official start of sanctioned Audience Participation.
Although the play was revered in London, the filmed version, The Rocky Horror Picture Show was not successful in its initial opening in London in August of 1975, closing after a few short weeks while the play continued. The story was different in Los Angeles, where it debuted at the UA Westwood in late September to an enthusiastic group of fans of the play, who had bought their tickets in advance, via mail order. From the earliest screenings of the movie, fans of the Roxy Cast production were returning to sing along with the film, and calling out asides from the play's soundtrack, including "2-4-6-8-10-12-14....Eat Your Heart Out, Ann Miller" during "The Time Warp."
The film opened at 10 theaters across the US a week later, but disappeared rapidly. It did, however, remain in Los Angeles, with a growing audience. The Rocky Horror Picture Show soon started showing at several local revival houses, as well as having a continuing run at the UA Cinema Center and the Holly Theater. Fans began traveling from theater to theater, bringing their enthusiasm and repeating call-backs as they went. The first documented costume from an audience member was that of Michael Wolfson, who began creating his first Frank N Furter outfit after seeing the film at the UA Westwood in 1975. Within a year, he would begin to cast the first organized performance group, The Rocky Horror Revue, who were based at the Fox Venice Theater, but travelled to other fledgeling Rocky Horror movie houses that had yet to attract their own cast of regulars.
The film was tested in several markets around the U.S. in limited release and special screenings beginning in late 1975. The first major development of the cult outside of Los Angeles emerged when The Rocky Horror Picture Show was added as a Midnight Movie on weekends on a regular basis at the Waverly Theater in New York City, in April of 1976. The film took hold with a group of enthusiasts who began returning weekly, and call backs were first documented there on Labor Day weekend, (on September 4 or 5) when audience member Louis Farese yelled "buy an umbrella, you cheap bitch!" to Janet during "There's A Light," and "How strange was it?" to the Criminologist's invitation "to take you on a strange journey".
Halloween 1976 was a major date in Rocky Horror history, as fans at the Waverly began showing up in screen-inspired costume on that day, while Los Angeles was in the midst of a city-wide re-release of the movie in over a dozen theaters, which involved Rocky-themed costumes at the Fox Venice Theater (and presumably other theaters as well). Call backs and costumes were also popping up spontaneously at that time in various locations, including Texas (Austin), Louisiana (New Orleans) and on the other side of the globe in South Africa. As Rocky Horror spread to new theaters, so did the call backs...no matter where it screened.
As the film picked up more screenings and grew in popularity, so did Audience Participation. Early on, many theaters were torn between those enjoying the call-backs, and newbies who would scream "shut up" to them in response. Over time, the rowdies won out, and theaters that embraced the participation flourished while those that didn't faded away. Nevertheless, in the early years, there were theaters that were more quiet than others and did not necessarily have casts that were still successful. As word of audience participation spread, the Rocky Horror experience became legendary, and the rowdier the theater, the longer the lines were outside to get in.
The mayhem that became the early Rocky Horror cult, and had people returning to for multiple visits was rooted in an anything goes, all-inclusive anyone can participate feeling. Audience members would try out a call back, and revel in the laughter. Participants return later to find their remark had stuck. Same went for early prop usage. For example, in February of 1977, a girl was spotted holding up a teddy bear during "Eddie's Teddy" at the Bay Theater in Pacific Palisades, CA. After seeing that, Lisa Kurtz Sutton decided to bring a teddy bear to the Nuart Theater when Rocky Horror played there a month later. She also brought noisemaker for the creation scene, which got a big laugh, so it became a tradition. At that time, people were already dancing "The Time Warp" in the aisles and dressing up like Transylvanians on a regular basis. In April of the same year, the Waverly crowd started throwing things in the theater for the first time, beginning with throwing confetti off the balcony during the wedding scene. Within weeks, everyone at the Waverly was throwing rice at the wedding scene.
Various venues developed their own culture around the growing interest in the film. Many theaters, including the Waverly Theater, started with performances before the film.
At the Fox Venice Theater, in Los Angeles, where the film had multiple screenings on a monthly, single night, the show was in-between screenings, generally twice on a night. Other theaters, though boisterous and enthusiastic, had the audience (costumed or not) generally remaining in their seats, though it is suspected that in most places, many got up to dance "The Time Warp" in the aisles. The cast at the Waverly, later transplanted to the 8th Street Playhouse, became well known via The Rocky Horror Picture Show Official Fan Club and began performing during the film itself, alongside with the movie during certain scenes. Additionally, Fan Club president, Sal Piro began a tradition of making general announcements as part of the pre-show in the late '70s that would eventually become a wide-spread part of the experience.
By the late 1970s, media coverage of the Rocky phenomenon was national as well as local, and participating in the madness was for all attendees, not just those who chose to dress up. By 1978, there were national call-backs heard at virtually every theater (like "Meat Loaf Again" and "antici-"say it" ...pation") while each theater had their own local remarks that came and went over time. Other documented audience-inspired activity included 5-audience members holding up large letters spelling out "J-A-N-E-T" during "Damnit Janet," Flicking your Bic during "There's a Light", tossing Scott-brand toilet paper when Brad says "Dr Scott," and of course, jumping up to do "The Time Warp" during the film (and after, before the Super Heroes Cut was put backing circulation).
The current concept of the Rocky Shadowcast grew out of Audience Participation, but did not replace it. In the '70s and early '80s, there were casts, but not necessarily the same concurrent performance with stage props that is standard today. Auditions and rehearsals were documented as far back as The Rocky Horror Revue, but that was the exception, and not the rule as it is today. It was instead more like a group of people who dressed up to attend the movie, and would perform along to a soundtrack LP before the film or in breaks between screenings where the film played more than once in a night. Audience participation evolved at a different pace at each theater, though the trend mushroomed when the feature film Fame included a scene filmed with the 8th Street Playhouse cast, including their pre-show. After that, casts across the U.S. were given a new template to follow, which created somewhat of a script for performances that remains to this day. Audience call-backs are often based on existing scripts, though these scripts do evolve as new and more topical and up-to-date call-backs are tried out.
